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Ds on my bitches

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Leave A Asian trash Click here to cancel reply. You must be logged in to post a comment. Arty's Taxi throws us another member named Eric Bucello, who plays the shit out of the trumpet and brings our horn section to FIVE players. I mean, really. For real. Thursday, August 9, summer beauty tips for the damp and profoundly irritated. Serum IRI profiles during insulin test were not modified by "seasons" in Ds on my bitches bitches; such response in diabetic bitches was intense during A, then decreased EP or was later abolished LP. It starts out pretty normally, we play outside of the Idaho Warped Tour when the show ends with Kevin Lyman's permission Ds on my bitches and hope we can do it the next day.

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Thursday, August 1, things i've accidentally peed on a little bit. Labels: sick bitch. Tuesday, December 25, holiday survival guide. Labels: bitch please. Thursday, November 22, fakesgiving! Labels: dear bitch. Tuesday, November 13, is lifetime's YOU the best and most romantic show that ever existed?

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Ds on my bitches

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This site makes use of new web technologies that require JavaScript to function correctly. Please enable JavaScript before proceeding. Joe Werfelman and Jeff go out to hang out with some girls a night or so after it happens and tell them "we're a band" and start playing Green Day songs on an acoustic guitar. Songs like "Slice O Life", "Realistik", "Asshole" and "And" are written, recorded on a tape recorder and never heard by anyone.

Several bad performances are made for friends in basements and bedroom. Patric Santiago and Chris Valentino enter the fray. A greatest hits tape is thrown together, including the hits mentioned above, and given to our guitar teacher to play the church's annual "Rockfest.

We still didn't get to play and apparently that wasn't believable. After recovering from getting turned down at Rockfest, The Arrogant Sons of Bitches play their first real show in my parents' backyard with current members of Taking Back Sunday, Bomb the Music Industry!

It will take months before we "let him" in the band, even though it is very clear that we don't have a bass player. Joe Werfelman meets a young but still six-foot-plus Chris Baltrus in Catholic school as well as a young buck named Joe Vazquez. Chris starts playing bass and we start playing shows at community centers. Pat, who for some reason has not hit his big growth spurt yet, looks like he's twelve years old and has to remind people that he is in fact fifteen.

Pat's mom makes him quit the band because we broke into his house to get our amplifiers. Joe Vazquez steps in on drums and offers to record our wonderful band. We called it that because all of our friends in bands generally had all their friends come see them at every show and they seemed huge.

Our friends didn't come see us, because we were really bad. We considered this Integrity. Shortly before this recording, this dude named Dave who was three grades ahead of me and friends with cool kids started coming over my house and playing Mario Kart with John.

He played trombone and said he would be cool playing with us. Shortly after this recording, Bryan and J. Werfelman would start punching each other in the face at practice and he would soon leave the band.

Without a drummer, John DeDomenici steps up to the plate officially making him part of the band. He even played a show the day he got his tonsils taken out. Our brother band Nothing Rhymes with Orange recently recorded with this metal dude named Goo and we decide to go in and make our first album.

We are stoked to have a drummer who knows how to play the drums, but not stoked to have a drummer that lives thirty minutes away and has no car. We under the impression that the CD is being pressed, when in fact it is just being made with xeroxes and CD-R's. We throw some kind of hissy fit and declare that once we sell all these CD's, we'll release the record ourselves - like for real! Shit, we even played a show in Jersey. The recording process is quite long for four songs, people forget parts, but we all smile and smoke cigarettes where our parents can't see us.

I get mono and finish the recording process the moment I'm better with some pretty gnarly vocals. This is later released only on rare odds and ends CD-R's distributed to street team members and at random shows where we decide to burn off four or five discs.

We even start playing shows with bigger bands; Edna's Goldfish, Catch 22, The Toasters and Step Lively all throw us a first out of ten slot on a show here and there. Arty's Taxi throws us another member named Eric Bucello, who plays the shit out of the trumpet and brings our horn section to FIVE players. After re-recording "Fuck You" for a compilation at Runaway Records with the wonderful Jestrebzski family in August, we decide to hunker down in December for the real deal full length record, Pornocracy, a process that will take about one year.

Whereas a less ambitious read: smarter band would probably use this time to hone their sound, we used it trying every single trick we could in the studio. Guitars were turned up to eleven, even when they sounded bad. Vocals were pitch-shifted because we could. Hair was dyed every color of the rainbow.

Lyrics were scribbled on fat porn and taped to the windows of all the recording booths. All of our friends at the time, although they possessed no particular interest in the band, came down and hung out there a lot and a lot of them appeared on the record, including JT from Sprout.

It was a fun but it cost a lot of money and took forever. The goal of mixing was to make it louder than most other CDs.

I think scientifically we ended up doing this, but we didn't understand how to do it properly so we get a nice mud sound for a bunch of the tracks.

The original mix of " The record is finished in June, and most of us are finally out of high school and ready to make the band happen full time read: college. Months are wasted trying to put an eighteen-minute track of our friends and us goofing off in the studio before track one. I guess we really liked Blink or something. The album is finally released in the fall, and we play a really fun CD release show with our frenemies Racecar Breakup.

We all talk and quell the discontent temporarily. Chris Baltrus and I start demo'ing tracks for our next record, Three Cheers for Disappointment which will see its release something like five years later. We also play a handful of shows off of.. In August we're about ready to go on our sparsely booked tour in a Winnebago that Mike Costa's father has lent us under the condition that we fix anything we break. In an effort to shake things up, most of the band quits and the remaining members live in the Winnebago for three days in front of my parents house.

I turn to my girlfriend and say "if this band ever gets big, I want to you kill me. And to be fair, they did lent me a guitar amp. We don't talk for a while 'til that thing with the buildings happen, and everyone was nice enough to see how I was doing living in New York. I start writing songs again, and Mike Costa calls me up about an offer to open up a show for Thursday but that falls through. I jumped at the opportunity to play with one of my favorite bands, and gathered together Mike, Baltrus, Dave and a few members of the High School Football Heroes and Premarital Sax.

Only one of these guys ends up playing with us permanently. His name is Sean McCabe and later on in life I had to convince his mother that we do not drink alcohol on tours.

It looks like we're a band again. It didn't take long for us to learn that re-recording an old record is the dumbest, shittiest idea in the world. Although it sounds better, Built to Fail 2 never gets released and I'm not even so sure that anyone in the band even has a copy.

On 2" tape no less! This is all done for a 7" that ends up never being released, but ASOB is revitalized and we decide to record some more new songs and release an EP before we start working on our full-length again. When the CD finally arrives, we sit up late and fold each insert ourselves, laying the cases on saran wrap on dinner trays and torching them with a hair dryer to shrink wrap them. We play a battle of the bands at the Downtown and do very well - maybe it was cause kids liked our songs or maybe it's cause our friend Joey was dressed up as a banana.

Whatever the reason, I think we win fourth place or something. We start playing shows every weekend out of state and although we have NO idea what we're doing it's a lot of fun. At one of these shows a kid comes up to me and asks if we've ever thought of releasing our record on a label. I told him that labels don't wanna put out our records, and he said that his label wanted to and our deal with Kill Normal is born.

Well, first we go out to breakfast with them in a rather British-looking joint in upstate New York. I'm pretty sure someone gets stabbed. Anyway, we end up re-releasing our EP with a bunch of extra stuff added. Oh yeah, at one of these shows along the way it's Halloween and we decide to do traditional ska covers of Taking Back Sunday songs.

Literally no one takes notice. We play a lot of shows around this time, opening up for Bowling For Soup, Count the Stars and other current hitmakers. We are at our skinniest and kissing lots of girls. We're not proud of this, but shit, we were in our earliest of 20's and drunk most of the time. I mean, we got into it face first.

For real. We all decide that we are really in this to win this and, armed with Big D and the Kids Table's trailer, book a big big tour out to the west coast, with Kill Normal booking our way back. In fact, JT calls us up before this tour and says "enough being a part time member, I quit Sprout and I'm coming on tour with you guys. We hang out at Dave's aunt's house while is many many many miles away from anything and get our shit together.

We decide to use our connections in suicide prevention, sandwich artistry, horror films, hip-hop and bullshit to sneak our way into the Warped Tour. It starts out pretty normally, we play outside of the Idaho Warped Tour when the show ends with Kevin Lyman's permission apparently and hope we can do it the next day.

Of course the show ends early because of a tornado warning and we play powered by a generator while watching the tornado come down but fucking whatever, right? The next day, Flood and Scotty from Asbestos and Orange Peel say we can play acoustically at their booth and the hip-hop tent says we can play there electrically. We take the hip-hop tent, whore ourselves promotionally, a lot of people come and we're asked to come back the next day.

The next day we played at a silver bus that our friends from Backseat Conceptions are running and Beret! It goes well, and they invite us back again and we are all having a blast.

Shit, we even got to play real stages after a while. We went back home to return Big D's trailer, came back to Warped Tour again and a bunch of ass clowns had done exactly what we done but were being jerks about it.

We were all thrown off the tour days later according to a note at the production office. We were listed three times on this notice. We drove back home after spending the day in Houston at a bingo hall oh yeah, and getting our trailer reported as stolen and eventually met back up with the Warped Tour, invited by our friends at Backseat Conceptions to sneak in with them.

According to a security dude, we played to 3, people in New York. This was our first show listed on the Warped Tour.

Ds on my bitches

Ds on my bitches