Top definition. Alternative meaning, popularized by the the Soulja Boy song of the same title. Crank dat refers to the act of masturbation, as indicated by the lyrics "watch me " crank dat " soldier boy then superman that hoe ". Watch me crank dat soldier boy then superman dat hoe After listening to crank dat, John transformed from a genius to being in a persistant vegetative state.
Those cuts, the slide edits, some of the jump cuts, some of the slow-mo stuff right next to the real-time stuff, some of the speed rams, and to then cut with his actual narrative Soljia boi crank dat uncut his performance with nucut camera—all of those things just needed to be done in an Soljia boi crank dat uncut way where nobody got lost. It was also Smurf who helped me decide to take my little-known name of Rage and make it more of my official director name. DR: Exactly, yeah. DR: In the case of the Fall Out Boy video, Soljka was American Beauty meets some really cool other independent films, and it was very linear and very natural. Still, there is so much content out there, so much music out there, so much visual content. When I do dat Soulja Boy I lean to the left and crank dat thang now y I'm jocking on yo bitch ass And if we get to fightin then Young gay bjs cocking on your bitch ass You catch me at yo local party Yes I crank it everyday.
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In Random Reels , we talk to veteran directors about the projects that defined their careers.
- Crank Dat - Soulja Boy
- Soulja boy I tell 'em Hey I got a new dance fo you all called the soulja boy Yoooouuuu!
- Somehow I'm not sure this is true at all
- It served as the lead single from his debut studio album, souljaboytellem.
In Random Reels , we talk to veteran directors about the projects that defined their careers. The A. So Smurf, who was managing Soulja Boy at that point in time—I should say, every director, every label, wanted to sign Soulja Boy because he, at 16 years old, pulled one of the biggest hustles ever known in YouTube at that point in time.
He created so much noise and sold so much music, his fans became instant and every label was bidding to sign him. Smurf, who was best known for managing acts like the Ying Yang Twins, said that he was looking for a hot director and of course Brian Barber and Hype Williams and all these guys wanted to get it, but he wanted to just go with something fresh, something new.
A friend of mine referred me to him and then we met face to face in Atlanta, and he explained to me what this whole movement of Soulja Boy was.
And so after discussing the story about how he discovered Soulja Boy, we decided that would be the concept for the video. The video was very self-explanatory. Smurf, a. It was also Smurf who helped me decide to take my little-known name of Rage and make it more of my official director name.
So on that set I met Soulja Boy for the first time. He had everybody doing the Crank That. He was just so eager and he was soaking up all this information like a sponge. We shot in Atlanta over the course of two days, and we had all the big stars at that point in time that were in Atlanta come on through, from Jibbs to Bow Wow to so many others.
Had that video been released today, we would be at a billion views. He was a great kid. That video was the one that made me the flavor of the month, so to speak.
With something like this, how far out do you get asked to do it, do you send storyboards, and how does it all come together? On the creative side, sometimes an artist will have their own idea or the label will have an agenda from a creative standpoint, but oftentimes I sit, listen to the song, and I personally am moved a lot by the sound of the song.
Many other directors are inspired by actual lyrics, so I approach it a little bit differently. Across the board, tone-wise, I am inspired to make the sort of visuals that I hope to create the biggest possible net so that artist can make as much money as they can with their music.
Nothing I do is small. A lot of times when I was coming up doing music videos for rock bands like Unearth and Hatebreed and E.
So I learned if only had 15 minutes to make a video for a band, I had to basically shoot to edit. How is a hip-hop video different from, say, a Fall Out Boy video or something else? Is there a different aesthetic? DR: No. That particular situation there was that since that was a international hit with everybody getting caught up with the fever of doing the dance, and how the story unfolded about finding him, learning about him, and then ultimately signing him and ending up at the big show—it was a lot of information that needed to be told.
Those cuts, the slide edits, some of the jump cuts, some of the slow-mo stuff right next to the real-time stuff, some of the speed rams, and to then cut with his actual narrative and his performance with the camera—all of those things just needed to be done in an artful way where nobody got lost.
DR: In the case of the Fall Out Boy video, it was American Beauty meets some really cool other independent films, and it was very linear and very natural. It was very, very cold, as you can see, and we had to go to Big Rapids, Michigan for that video, because I was supposed to do that original video at a stage in Brooklyn, but when they were driving down to see me, they got into a bus wreck and it almost killed a couple of them.
So the money was gone. I happened to be doing another video for a band called Dirty Americans in their hometown of Big Rapids, Michigan, and fortunately, Fall Out Boy is from Illinois, only a few hours away. We flew in our lead girl, Laila, who was also in a video I did for a band called Most Precious Blood, because we needed a girl who could act, and who had that really cool, young teen, hot look. That video came together on the heels of a bad situation and it all worked out.
And that was shot on 35mm. There are some video babes in the Gym Class Heroes clip. We basically go through a casting call.
Over the years you develop relationships with certain talent that are just great and you know you like to work with because they always come through and deliver, but a lot of times, labels and artists want to weigh in on the kind of girls they want in their videos.
Is that something you have to have them approve in advance? DR: Exactly, yeah. He fought to have her in the video and sure enough, she was in the video. AVC: How many times do you run the song during the shoot? DR: On average, about 20 times.
With a band, you do each band member. DR: That song became a hit, and I actually helped push the label into making that the single because I felt it was going to be a hit. That video was done on a mostly rainy day in New York City. No playback. No lights. We had to keep it on the sidewalk.
But the thing is, we needed that extra foot or two just to give us that room. And because there was just no room to get the shot we wanted, it made everything go so slow. DR: That was meant to be just a street single that I had one of my younger directors do.
I did the big video, which never came out, [though it] still may come out. It was a big-budget video, and we shot it old-school style. Busta was in it. Done and done. How can you mess it up? One of my PAs lived in that apartment in a not-so-good area, and I asked him if I could use it. The sun was just low enough where it was peeking through the window, and we had some fake props come in and we had some real props come in, and we had a couple of people come through.
I shot that in three hours and it ended up becoming what it became. Or at least perpetuating it? DR: I see myself no different than a documentarian. Busta was on set for that particular day as well. But the bottom line is, I took the job as a person who needed to tell a story, and I did it the best way I could. And the way I did it, it came out great. DR: Artists have become more and more empowered throughout the years, and they feel like there is nothing they can and cannot do.
Some artists are great with listening to suggestions. Some artists refuse to listen to the requests of the label or legal. Some artists are totally cool with listening to you about what they can and cannot wear. Can you talk about what happened there? That same video is the one that played on all their LED screens on their tour in and Axl [Rose] decided not to release it because of some of the issues and somehow a year or two ago it was released.
For an up-and-coming music-video director, there are a lot of things that they need to be aware of on the business side. Online is where everybody goes to watch music videos. AVC: How has the web changed the way videos are made? And how do you make sure something gets watched? DR: If anybody knew that, it would be the billion dollar answer.
There are so many variables. The bar of entry is so low at this point. Still, there is so much content out there, so much music out there, so much visual content. Marah Eakin. Filed to: Music. Share This Story.
The song is called, "Crank That Calvary Boy". Retrieved I know this release date listed is incorrect. You can atleast appreciate travis barker's musicianship. It's catchy, though. Anyway, even if the term had no meaning before the song, it certainly has a meaning outside of the song now--see Remixes section. Article policies No original research Neutral point of view Verifiability.
Soljia boi crank dat uncut. Missing lyrics by Soulja Boy?
Crank Dat (Clean Intro) | BeatJunkies
Top definition. Alternative meaning, popularized by the the Soulja Boy song of the same title. Crank dat refers to the act of masturbation, as indicated by the lyrics "watch me " crank dat " soldier boy then superman that hoe ". Watch me crank dat soldier boy then superman dat hoe After listening to crank dat, John transformed from a genius to being in a persistant vegetative state. Crank Dat unknown. Song by Soulja Boy , makes no sense, has a single beat, the Boy raps in one tone, and has a dance that makes a choreographer cry whenever he walks into a party with the song playing.
Its a disgrace to a cd. A song that's become an epidemic among teenagers in an alarmingly short period of time. The song - for lack of a better word - rapped by the seventeen-year-old kid known as Soulja Boy has made several remixes and versions, from Spiderman to Robocop.
All follow the same basic dance pattern, with the exception of a few minor changes during the chorus. It's a poor excuse for talent in the music world as it degrades women, and shows just how far "talent" has plunged in the 21st century - the lyrics alone show the literacy levels of the person who raps it. Just look up the lyrics to it on here - it's sad to see that few realize the exact meaning of the song before they look up the meaning.
The only credit I can give to the song is that it spread so quickly and that the dance is probably the best known dance for late , mainly becoming known from the popular instructional video for it on YouTube. You want an example?
A horrible song with no lyrical talent whatsoever. Person: There's a dance?!? Soulja Boy: Crank dat soulja boy , superman dat ho. A horrible song by the talentless Soulja Boy , comes with a dance.
It plays everywhere especially in the suburbs where white kids and their parents sing along to it and do the dance Crank Dat is the reason I have no faith in humanity. Dolemite Tampa Prep T2P Bungles Yandhi Dutch wife National give ur smallest friend a hug day